Community Culture and Gentrification Across D.C.
Barry Farm has long served as a center of Black cultural identity in Washington, D.C., shaped through music, sports, multigenerational community ties, and informal neighborhood traditions. Go-Go music, in particular, has played a defining role in building and expressing local identity. According to Go-Go Music and Racial Justice in Washington, D.C. (MDPI, 2022), Go-Go functions as a form of community self-definition, representing local pride, resistance, and place-making within predominantly Black neighborhoods. The article highlights how redevelopment has increasingly jeopardized these cultural expressions, positioning redevelopment pressures as external forces that challenge and attempt to silence the cultural “self.” Activist groups such as Don’t Mute DC, Long Live Go-Go, and the Go-Go Museum and Café emerged in direct response to these pressures, underscoring how cultural preservation has become inseparable from racial justice and anti-displacement efforts.
A block away, “old” Shaw. Image by Ted Eytan licensed under Creative Commons. Accessed December 2025.
Historical context further illustrates this dynamic. As described in the Wilson Center’s Taking to the Streets, Washington, D.C.’s identity as “Chocolate City” shaped the rise of Go-Go music in the 1960s and 1970s. Redevelopment initiatives—including the construction of large event venues, new residential buildings, and the closure of long-standing Go-Go clubs—have disrupted neighborhood cultural spaces that once sustained Black working-class life. These changes created a symbolic divide between traditional communities and incoming residents, whose expectations often conflicted with the cultural practices of the area. This tension became particularly visible in high-profile conflicts such as the MetroPCS Go-Go speaker incident in Shaw, where a single noise complaint highlighted ongoing struggles over cultural expression, community belonging, and displacement. The subsequent #DontMuteDC movement, detailed in Smithsonian and WAMU reporting, demonstrated the extent to which Go-Go has become a rallying point for cultural preservation amid gentrification.
